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LAS VEGAS BASED "GODFATHER OF GANGSTA RAP" KEEPS HIS 50 YEAR MUSICAL LEGACY THRIVING WITH THE KENT BLUES LABEL AND THE STABLE OF RAP ARTISTS
ON HIS FIRST KUT LABEL
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Alexander's Roster Includes Grammy nominated Bluesman John Lee
Hooker, Jr. And Keyboardist Deacon Jones, In Addition To
Rappers Slick And The Shock Mob, King Kon, Latin Rapper Joe Serious,
Jazz Rapper Will Roc and Breakout Female Gangsta Rapper Mo Wiley
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Kent's Diverse Catalog Includes The 2Pac Memorial Project
'Dare 2 Struggle' And The Compilation
'100 Years Of Surfing: Celebrating Surfing's Greatest Hits'
Currently celebrating an incredible 50 years in the music business, "Godfather Of Rap" Morey Alexander could easily kick back and rest on his formidable laurels: launching the careers of rap pioneers N.W.A, Easy-E, Ice Cube, Mellow Man Ace, Kid Frost and Dr. Dre following a lengthy run as a top blues producer, marketing manager and impresario whose charges at the Legendary Blues Label, KENT RECORDS included B.B. King, Ike & Tina Turner, Charlie Musselwhite and Etta James. He also worked with great artists such as Steve Miller, Barry Goldberg , Johnny Otis, Harvey Mandel and many other noteworthy musical giants.
Despite these trying times in the music industry, the Las Vegas based Alexander continues to look ahead optimistically and find exciting, innovative ways to break deserving new artists on the rap and blues fronts. As the owner of Kent Entertainment (www.kententertainment.com) and its two subsidiary independent labels, the Kent Blues Label and the rap-driven FirstKut, he has experienced his share of distribution struggles with unscrupulous companies these past few years.
Yet Alexander—who recently inked a new deal with Super D Distribution--has still managed to achieve great breakthrough success with a powerful stable of artists, including (on the rap end of things) Slick of the Shock Mob (Elements of the Game), Slick's son King Con, BOO-YAA T.R.I.B.E (Angry Samoans), Canibus and Phoenix Orion (Def Con Zero) and Latin rapper Joe Serious (King of the West). FirstKut also scored a major hit with Dare 2 Struggle: A 2Pac Tribute that pays homage to the music of the late Tupac Shakur with contributions from Dr. Mutulu Shakur (the late rapper's dad), Mopreme (of Thug Life), Slick, Johnny "J", TQ and incarcerated rappers from behind the wall.
Alexander and Slick are currently involved in a joint venture to manage and produce up and coming rappers and helping establish them as stars that will keep the genre thriving for many years. Both are excited about working with one of FirstKut's new artists, breakout Bay Area based female gangsta rapper Mo Wiley, a real deal artist with major street cred whose songs reflect the struggles of and redemption through her rough and tumble childhood and early young adulthood. In anticipation of the release of her debut album Major League Ballin', FirstKut will soon be releasing her debut singles, the R&B flavored "These Boys" and the edgy club track "You Can't Touch This."
Alexander also recently struck up a working relationship with top producer and mastering engineer Tom Parham, who recently set up a new studio facility in Vegas and will be working with some of Kent Entertainment's artists. Alexander is also literally jazzed these days by his re-signing of veteran jazz-rap artist and keyboardist Will Roc. Alexander's association with Roc extends back many years, back to the N.W.A. and Easy-E days. Most recently, Roc produced the Grammy nominated, W.C. Handy Award winning album Blues With A Vengeance by Kent Blues label artist John Lee Hooker, Jr. (son of the legendary bluesman John Lee Hooker, Sr.). In addition to producing such legendary jazz artists as Herbie Hancock, Roc was a member of Ghetto Guerillas and The Uzi Brothers. FirstKut will be releasing his new album with his latest ensemble Vicious Groove.
FirstKut will also soon be completing an exciting project by ABC, a Vegas based rapper produced by Slick who was killed recently in a tragic home invasion incident. All proceeds from ABC's recording will go to a fund to help the artist's young children.
Because Alexander is so renowned for his groundbreaking role in rap music, people sometimes forget his love for and legacy in the world of blues. In addition to John Lee Hooker, Jr., the Kent Blues Label also has Deacon Jones, a longtime keyboardist with Hooker, Sr. whose upcoming recording will be called Jonesin' For Money. The all-star session will include performances by Hooker, Sr., Eddie Money, Gregg Allman, Dr. John and Lydia Pence. Another key release on the blues label is Sweet Home Chicago, a long lost piece of musical history that bridges the gap between the modern blues movement of the 60's and 70's rock era; the star-studded date includes Barry Goldberg, Harvey "The Snake" Mandel, Charlie Musselwhite, Mike Bloomfield, Bobby Jones, Robben Ford and Phil Upchurch.
The Kent Catalog also includes the best selling compilation 100 Years Of Surfing: Celebrating Surfing's Greatest Hits, featuring classics like "Pipeline" and "Wipeout" and songs by Mike Love Of The Beach Boys, Jan & Dean, The Ventures and Dick Dale. The collection also features a newly recorded revamp of a classic Ventures song, now called "Deja Surf 2008."
One of the music industry's top advocates for independent artists throughout his career, Alexander has never been shy about sharing his tough opinions on the state of the business. His most recent diatribe "The Anatomy Of A Failed Distribution System" takes a hard look at the way artists and indie record labels are suffering due to poorly managed distribution systems and bad retailing strategies. His harsh views on these issues and some tough personal learning experiences aside, he feels like there has never been a better time for indie artists and their music to thrive.
"By merging all of these companies together into huge conglomerates, the major labels are not only failing financially but they have failed the artists who are the lifeblood of the business," says Alexander. "With so many artists, the majors cannot possibly do justice to the rosters they have, and they're stuck in an old business model which just is not working anymore. With so many independent record stores going out of business and only a handful of top distributors that every company like mine seems to be going through, we have to be creative about how we are marketing our products and artists. Retail is still an important component, but Kent is doing an overall campaign that incorporates our strong and growing internet presence, which to this point has generated more sales than in-store purchases.
"Our deals with the artists include internet representation, internet marketing and merchandising, and give them control over the music they make, the touring they do and the ultimate paths they take in their careers," he adds. "If we can start getting our artists back in the stores under our new distribution deal with Super D, and keep developing our online ventures, there are unlimited opportunities for Kent's labels and our stable of great artists. We're seeing the evolution of the music industry, and are aware that in many ways we're going back to basics. No matter how massive the challenges may be, the key to success is staying one step ahead of the curve so that artists have an opportunity to have their music heard and appreciated on a global scale."
Posted by thehypemagazine at 1:32 PM
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Thursday, November 6th, 2008
Contrary to the old adage that we've all heard a million times, it's Impatience that's the virtue—or at
least it is with Bay Area female gangsta rapper Mo Wiley (www.myspace.com/missmowiley), who's
keeping busy with a ton of exciting entrepreneurial activities as she awaits the upcoming release of
"You Can't Touch It," the club groove driven first single from her highly anticipated debut Major
League Ballin', due to drop in early 2009 on Kent Entertainment's First Kut Records. |
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Download - MoWileyPU.pdf
Download - Mo Wiley BizWire.pdf
Download - MO_WILEY_OCTOBER_UPDATE_PR.pdf |
RAPPER-PRODUCER SLICK SPARKS A NEW REVOLUTION IN MAINSTREAM WEST COAST RAP BY INCORPORATING THE‘ELEMENTS OF THE GAME’
INTO HIS DEBUT CD
Working With His Clique “The Shock Mob,” A Group of Young Rappers Which Includes His Son “Conspiracy,”
The Self-Styled, Multi-Talented “One Stop Hip Hop Shop” mixes “dirty South” with “Cali-Crack” Grooves Behind His Supercharged Social Commentary To Create a Style
With A Multi-Generational Appeal
19-Track Collection Marks Italian American Rapper’s
Debut on First Kut, A Label Owned by “Godfather of Gangsta Rap” Morey Alexander |
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Download : SlickLuckFirstPromoRelease.pdf
Download For Print: SLICK.pdf |
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THIS IS MY STORY....
The story of west coast hip-hop rap artist "Joe Serious" a.k.a L.A.'s Most Dangerous M.C. is as interesting as the music this MC can spit. Not just one of the best Latino hip-hop artists on the west coast, he may be one of the best rappers period on the west coast today. Hip-hop artist Joe Serious, stands 6 foot 2 and 250 plus pounds. Mighty is the man but his forceful lyrics makes him a contender in the hip-hop game, not his size.
This Heavy Weight M.C. is representing his hometown of East Los Angeles and Whittier, California. He has always been creative in his Style of Hip-Hop elements from the age of 8 years old. In the early 1980's Joe Serious first started rapping as M.C. Kidd Hipp and West Coast Pop locking as "Cartoon". Doing shows at different levels, from backyard parties, to legendary all rap AM station K-DAY 1580 party events, to the Los Angeles Sports Arena "Uncle Jam's Army" concerts; gave the young hip-hop MC experience and also gave him many avenues to show off his lyrical style.
During that time "SERIOUS" met up with different L.A. Hip-Hop Street Legends in hip hop such as DJ Greg Mack 1580, Ice-T, Michael "Turbo" Chambers, The world known platinum producer and DJ BattleCat, The DVX crew, B-Real and Sen Dog (now known as Cypress Hill) and Mellow Man Ace, G-Cell and Qluso The Dominoes Poplock crew, Supha latin "Click", Julio G. from Mack Attack Mix Masters and yes The Master - DR. DRE from Eazy E's gangster rap crew N.W.A; who at that time was from the World Class Wrecking Crew who was Big Joe's D.J. at his opening night and where they moved the crowd at Dooto's night club in Compton, California. In 1985-86 "Serious" made his name on the streets when legendary L.A. Radio D.J. Greg Mack announced him live on the radio after selecting his cassette tape as one of the best M.C.'s to compete for The Best Rapper of the West Contest sponsored by the legendary hip-hop crew the Sugar Hill Gang.
"After years of M.C'ing and rapping in all areas and in the streets of Los Angeles I kept holding on to my dream," Joe Serious tells ThugLifeArmy.com. "I went through a lot of things in the hood as a young man with non-stop Street Life situations with gangsta's, hustling and violence was a way of life and still working different jobs to support my mother, brothers and sisters, my family. I had it rough growing up and yes I take the fifth on the things I had to do on the streets to survive, but you know the jungle it will eat you alive if you don't find the right vine to jump on and get out. I kept it legit through out my life and followed the code but I kept God close to me and with that my dream, so I decided to go back to school again and try to do something I always wanted to do and that was to perform.
I went to the Academy of Radio and Television Broadcasting where I studied many different subjects in radio and communications. At the same time started recording my first album "Power of the Tongue" released in the summer of 2004 through Addicted 2 Wax/ Cisco Music Group and released at Norwalk Records. I then met my new homies Rod "Warrior" Mendoza from RuffRyderz, Yesi Ortiz of Power 106 and Big Charles Gatewood of Power 106 Flava Unit, Noah Ayala of Wild 96 in the I.E. and New West Coast Homeboys along the way Big Qluso, Bokie loc, Darc Skin, Ked Johnson, THE SERIOUS SYNDICATE INC. is here."
The new album from Joe Serious is truly a banger. If you miss the days of music with power and fire then you need to investigate this album. As Hip Hop music is changing to more repetitive hooks than the art of Rap itself, and the West Coast is in turmoil; Joe Serious has come out to bring Rap back in its original form with tight P-Funk and G-Funk Beats, "Laced with Lyrics that paint stories of hardships and life experiences on the streets of East and south central Los Angeles"! This new style is mixed with clear vocals that separate Joe Serious from the rest of the Latin Rap or Chicano Rap competition; making him unique and carrying a style of his own that even the black audiences can also relate to. Joe Serious is diverse with him rapping in English and Spanish with catchy hooks and singing in both forms as well. With his natural gifts and abilities of writing and co-production Joe Serious is in a league of his own.
Check out Joe Serious on MySpace at www.myspace.com/bigjoeserious and see what all the street buzz is about. You can hear his tracks and also purchase his album on iTunes, Napster or just Google Joe Serious. Joe Serious is taking hip-hop back to where we all would like to see it; back to the days of pure talented MC's and fiery lyrics – back to something hip-hop can be proud of – classic music from talented MC's. Check him out – you can thank me later. -RB Riddle WWW.THUGLIFEARMY.COM
Download: JOE_SERIOUS_ONE_SHEET.pdf
Download: Joe Serious proof_sm final.pdf
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VICIOUS GROOVE
POPULAR BAY AREA ENSEMBLE
CONQUERS A ‘VICIOUS NATION’
WITH AN INFECTIOUS HYBRID VIBE
MIXING OLD SCHOOL R&B FUNK,
JAZZ AND HIP-HOP
Vicious Groove’s Keyboardist And Producer
Wil “Roc” Griffin Has Produced Projects
For Jazz Legend Herbie Hancock and Blues Great
John Lee Hooker, Jr. and Co-Produced Kent
Entertainment Labelmates Boo-Yaa T.R.I.B.E
In the 90’s with Rick James
Make no mistake, it’s time to get creative and turn vicious on that tired music industry wisdom that tells bands to pick a single genre and limit their vibe to it. |
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Download VICIOUS_GROOVE_REV_1015.pdf
Download VS_Onesheet8-6-08.pdf
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